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watch mayakkam enna movie online
mayakkam enna is a romantic drama film direccted by selvaraghavan,starring dhanush in the lead role with richa gangopadhyay music by g.v prakash,cinematography by ramji
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Mayakkam Enna movie online
mayakkam enna is a romantic drama film direccted by selvaraghavan,starring dhanush in the lead role with richa gangopadhyay music by g.v prakash,cinematography by ramji
the movie is been released on nov 25th
mayakkam enna movie video trailer
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Watch Mandhira Punnagai Movie Online
Cast: Karu Palaniappan, Meenakshi, Santhanam, Thambi Ramaiya, Maheshwari, Rishi
Direction: Karu Palaniappan
Production: Nagarajan, Karthik Nagarajan
Music: Vidyasagar
Director Karu Palaniappan is known for coming out with movies woven around human relationships. Obviously in ‘Mandhira Punnahai’, which is directed and enacted by him, he dwells on his favourite subject. Unfortunately, perhaps shouldering a double burden has taken a toll on the film.
The latest to join the bandwagon of filmmakers donning the grease paint, Karu Palaniappan has chosen a script that doesn’t demand macho-man stuff or any heroics, a safe bet for his first venture as protagonist.
He has Meenakshi, who did some glamour roles recently, to play the female lead. Santhanam provides the comic relief, while Thambi Ramiah and Rishi do form part of the cast. But all these things, which put together as a film, fail to do any magic.
Though Karu has relied upon the script, yet the pace at which the movie progresses is its weak link. The story settles down only after a while and the dragging second half does no good.
Kadir (Karu Palaniappan) is a shrewd architect. But he has no principles in life and leads it in his own way. Hated by one and all for his way of living life how it should not be, everyone fears to come close to him.
Enters Nandhini (Meenakshi) who works in a car showroom. Kadir does the architectural plan for the showroom and both meet in the process. Impressed by Kadir, she falls for him. Kadir sees his mother’s mannerisms in her in certain situations and love blossoms.
But a twist and turn in the script takes the story to a new place. What transpired between the two is the climax.
Karu Palaniappan has tried his best to live up to the role. Unfortunately he misses out on his body language. The much needed pep is missing in his role. It is refreshing to see Meenakshi donning a different character. She has a major say in the script, which she seems to have utilised well. Santhanam’s comedy sounds clichéd at many places.
Vidyasagar's music and Baskar Sakthi's dialogues are the USPs of the film. Both are good but a weak execution takes away the sheen. Ramnath Shetty camera captures Chennai well.
Too many loose-ends and a dragging second add no value to the movie. Produced by Indira Films, ‘Mandhira Punnahai’ is a movie which carried a lot of hype and expectations but fizzles out to be an ordinary fare.
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Watch Mynaa Movie Online
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Banner: Shalom StudiousCast: Vidharth, Anaka
Direction: Prabhu Solomon
Music: D Imman
Love stories never failed to capture the admiration of the masses. The romance, the travails and the struggles of the lover couple have always won the nod of the film-buffs. And it is doubly so when the story has close resemblance to reality.
Director Prabhu Solomon, who made films like ‘King’, ‘Kokki’ and ‘Lee’, has rendered a touchy tale of romance in ‘Mynaa’, which is earthy and emotional from the word go. When hero-centric films are holding sway in Tamil cinema, the filmmaker deserves guts to churn out a movie that is centered on a girl.
As the promos suggest, ‘Mynaa’ speaks loud about the journey of love. Set in a village on the high altitudes of Tamil Nadu-Kerala border, the film throws light on the innocence, trust and the lifestyle of people in the rustic lands.
Prabhu Solomon in the company of cinematographer Sukumar has presented a treat to the eyes. Though he has a host of lesser known star cast, the artistes get under the skin of their respective roles, giving it an authentic feel.
Vidharth, who made his debut in ‘Thottupaar’, plays the male protagonist while Amala of ‘Sindhu Samavali’ fame dons the role of his lover girl. But for Thambi Ramiah, almost the entire cast is fresh and gives the movie a new look. And the script too is equally racy and taut.
The movie begins with Suruli (Vidharth), lodged in a sub jail in Theni, recalling his past life. His father is a callous person and he had lost his mother at his birth. He drops out of the school and earns his livelihood working as a cleaner for a vehicle.
He takes pity on a young mother and her daughter Mynaa, who are forced to come to street due to poverty. Suruli helps them take refuge in a house in his village. Slowly, he gets acquainted with Mynaa (Amala).
He even helps her join a school and pursue her education. As years roll by, they grow young adults and get fascinated for each other. However, coming to know of their affair, Mynaa’s brother plans her wedding with a rich man in the neighbouring village. Suruli picks up an argument with Mynaa’s brother and assaults him.
For this ‘crime’, Suruli is lodged in the prison. A day before his 15-day remand comes to close, he decides to escape from the jail. This sends shockwaves among authorities and the onus now falls on Bhaskar (Sethu), the warden and his associate Ramaiah (Thambi Ramiah) to nab him.
They set out to Kurangani village in search of him. At the village, Suruli manages to halt the wedding of Myna and flees from the place. But fate lands him in Bhaskar’s hands. Now they begin their journey from the village to Theni. They face many challenges and difficulties on their way back.
Slowly the bad image of Suruli in the minds of Bhaskar and Ramaiah is erased and they admire him. When everything seems to go well and the policemen plan to help them get married, a twist comes in Mynaa’s life in the form of Bhaskar’s wife and her brothers. The rest is a rivetting climax which ends on an emotional tone.
Hats-off to Amala. The young actress has played her party exceedingly well. As a love-lorn girl, she shows right emotions. Also in the latter part when she runs around for her life and love, she is right there giving her best.
Vidharth as ruffian resembles Karthi in ‘Paruthiveeran’. His cool body language and dialogue delivery add strength to the character he has played. Prabhu Solomon seems to have extracted the best from him.
Sethu as Bhaskar is a pleasant surprise. He is tailor-made for the character. A well-built physique comes to his rescue. Thambi Ramaiah plays a complex character, which not just provides laughter but at few places makes on go emotional. The rest of the characters are adequate.
Giving Prabhu Solomon good support are cameraman Sukumar and music composer D Imman. The former has captured the locales in Kurangani village in Kerala border with its pristine glory, while the latter has moved from his typical racy musical stuff to melody. Especially the songs ‘Neeyum Nanum…’ and ‘En Usirae Neethandi…’ is apt for the theme of the movie. Also the background score is appropriate.
Due credits should go to Udhayanidhi Styalin. His Red Gaint Movies has already won the reputation of producing quality themes. Quite appropriately, he has presented this movie produced by Shalom Studios in association with AGS Entertainment. For those who are tired of commercial masalas on Tamil cinema ‘Mynaa’ comes as whiff of fresh air. It’s going to be a happy Deepavali for Solomon and his team.
Source: DailyMotion
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Watch Moscowin Kaveri Movie Online
Banner: Oscar Films
Cast: Harshvardhan, Rahul Ravindran, Samantha
Direction: Ravi Verman
Production: Aascar Ravichandran
Music: S S Thaman
Kaveri usually disappoints Tamils. And ‘Moscowin Kaveri’ too is no different. The blame is on Ravivarman, the ace cinematographer who enthralled us with his camera work in many a film.
This maiden directorial venture of Ravivarman, which is produced by D Ramesh Babu, deals with modern day romance, especially live-in relationships between techies, without any shades of vulgarity. But lack of coherence in narration and disjointed scenes mar the flow.
As a result, good music by S Thaman and excellent cinematography among other aspects fail to add strength to the movie. In other words, it’s like watching some beautifully crafted songs and scenes without any big connection in between.
Moscow (Rahul Ravindran) and Kaveri (Samantha) are IT professionals. It’s love at first sight for Moscow on seeing Kaveri and she too accepts his proposal after a couple of scenes. The lover couple, who hails from villages, moves into a mansion and live together.
Even as difference of opinion arise between Moscow and Kaveri, the house they live turns out to be the hideout for Azhagu (Harshavardhan, son of veteran Y Gee Mahendra), a criminal who commits a high profile murder.
Tough circumstances the couple faces make them realise the strength of being together. At a time when they understand each other well, comes a clichéd climax which is not just predictable but tests patience too.
Rahul Raveendran is impressive while Samantha shines bright in her maiden movie (though two of her films are already out). Harshavardhan tries to menace but he doesn’t have much work to do. Santhanam’s comedy track is a damp squib.
Thaman impresses with his compositions while visuals give a rich and aesthetic feel to the film. Had Ravivarman concentrated on the script, ‘Moscowin Kaveri’ would have quenched the thirst of parched throats. To sum it up, director Ravivarman is no match to cinematographer Ravivarman.
Watch Madrasapattinam Movie Online
Cast: Arya, Amy Jackson, Nasser, VMC.Haneefa, Bala Singh, M. S. Bhaskar, Omar, Periya Karuppu Devar, Balaji
Direction: A L Vijay
Production: Kalapathi S. Aghoram
Music: G V Prakash Kumar
Young filmmaker Vijay, who has stepped out of filmmaker Priyadharshan’s school, has made his mentor proud. If ‘Siraichalai’ was considered a master pierce from Priyan, his protégé has proved with ‘Madrasapattinam’ that he is equally skilled.
The movie is set in the 1940s when the Britishers were about to leave the Indian soil. The crux of the film is about an innocent and valorous Tamil youth falling in love with the daughter of the English Governor.
The troubles and turmoil that their romance face and what transpired between the young White girl and the Tamil youth on the day of Indian independence have been dealt clearly and crisply with a touch of political background, laced with patriotism.
Though shades of ‘Titanic’ could not be avoided in this period film, it is a sincere and a worthy attempt with the whole cast contributing their might, ably supported by sound technical brilliance behind the screen.
The Madras then has been craftily recreated by art director Selva Kumar. The dhobikhana, the waterways at Buckingham canal, which were used for ferrying, the Central Station and its platforms, trams and the royal Government houses of the British era have been erected close to perfection.
What more, the lens of Nirav Shah has been at its best capturing them well on screen. The lights and shades, the colour tone and the difference in flashback and contemporary on screen hog all limelight thanks to the cinematographer. His work is one of the assets of the film.
Manohar Verma’s stunts are pulsating and racy. Especially the chase at the Central Station is astounding. Antony’s editing as usual peps up the proceedings, though he could have trimmed a little in the second half. However his scissors seems to have woked with a purpose.
But the scene-stealer is young G V Prakash Kumar. He has come up trumps with the songs that reflect the time. What more, the background score is apt for the movie. At places, he reminds one of maestro Ilayaraja. He has shown a lot of promise and ‘Madrasapattinam’ is sure to take him places. The sorrow of a woman missing her lover has been brought out well by Prakash’s background score.
The movie begins more like Titanic as an old English woman (Emy Jackson) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947.
Almost 60 years from then, she is clueless as she has just a picture of Parithi, which was taken then. The search begins. There are scenes where she recalls her past. It is revealed that Parithi was a valorous dhobi in ‘Madrasapattinam’. He revolts against the British officials for they plan to construct a golf course in their dhobikhana.
Comes Emi, daughter of Madras Presidency Governor, and she develops an affinity towards Parithi. She is friendly and helpful. Sequence of events leaves romance blossoming between them. Parithi calls her affectionately as Duraiamma.
Even as they face trouble from the angry White officials, comes 15 August 1947 which brings freedom to India. Duraiamma is now forced to go back to England. Parithi runs from pillar to post and fights to hold his sweetheart’s hands. But he couldn’t achieve his mission. Cut to present, Duraiamma is back in search of Parithi. Did she realise her mission forms the climax.
Arya excels in his role. He fits the role to T. Be it an angry youth voicing against the Whites or a romantic youngster running around to save his beloved, he is right there giving his best. Emy Jackson walks away with aplomb. Her spontaneous expressions are the highlight. For a foreigner to give right emotions in a Tamil film is no easy task. But she does the impossible with ease.
Cochin Haneefa’s one-liners are rib-tickling. The rest of the cast including Nasser, Balasingh, M S Baskar, Balaji, Kishore and Jeeva are adequate. English man Jack James as a greedy British cop is an apt choice.
Vijay has shown immense maturity in taking up such a difficult theme and working it out well with right entertaining and engrossing elements. His nose for minute details is worth mentioning. His adept screenplay and catchy screenplay work out right magic.
Produced by Kalpathy Brothers’ AGS Entertainment and presented by Udhayanidhi Stalin’s Red Gaint Movies, ‘Madrasapattinam’ is a movie to cherish for movie-buffs. Away from the madding crowd of commercial clichés, it is a film that would send positive vibes among those who love meaningful films.
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watch milaga movie online
Direction: Ravi Mariya
Music: Sabesh - Murali
Two types of Madurai based movies are currently being made in Tamil cinema. One is the bunch that attempts to portray the life lived in the temple town and other set is loaded with commercial elements adding more masala to the place which already has many flavours.
While the likes of 'Subramaniapuram' and 'Mayandi Kudumbathar', add value to the former, films like 'Ghilli' and 'Thimiru' stand testimony to the latter. 'Milaga', a film by Ravi Maria with popular Bollywood cinematographer Natraj as hero, is a mixture of both variants.
However, Ravi Maria is only partially successful in striking a perfect balance. Despite being racy, the film somehow fails to work big time, thanks to predictable scenes, especially in the second half. Attempts to establish Nataraj as a mass hero too mars the flow.
Coming to the story part, it is the one we have already seen in umpteen number of movies- How a one-man army hero defeats all the evil elements and joins hands with his ladylove for a happily every after life.
Azhagar (Nataraj) is a happy go lucky youngster, who looks after his family's red chilly business (justifying the title 'milaga'), in Madurai. But his main job is to be with his friends- roaming, singing and fighting for them all the time (justifying the sub title- 'Maduraikaara payaluga natupukkaga usuraiyum kuduppaiynga...').
When things are going cool, trouble starts to enter Azhagar's life in the form of three powerful brothers in the temple town, when he tries to save a girl Thenmozhi (Poongodi of 'Mayandi Kudumbathar' fame) at one point of time.
The rest is all about how our hero teaches a lesson to the baddies with his own brainy and brawny ways, which is told in a clichéd way, and with Nataraj going the whole hog to establish himself as a macho man who can do anything and everything.
Nataraj is okay as a Madurai youth and his hard work is visible on screen. But for his super hero attempts, the cinematographer passes muster as the protagonist too. Poongodi repeats her ‘Mayandi Kudumbathar’ act while Singam Puli & Co reminds us ‘Naadodigal’ and ‘Subramaniapuram’. Suja, the other heroine, scores well.
Music by Sabesh-Murali is average with hardly any tune sticking to our heart while coming out of the theatre. On the whole, ‘Milaga’ would have been spicier, had Ravi Maria ensured that the latter half coped up with the first half.
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