Banner: Raj Kamal International, UTV Motion Picture
Cast: Kamal Haasan, Mohanlal
Direction: Chakri
Production: Kamal Haasan, Ronnie Screwala
Music: Shruthi Haasan
A focused thriller on the travails of terrorism in our daily life is not a regular thing in Tamil cinema. But Kamal Haasan, the man of experiments, has gathered the guts to remake Hindi hit ‘A Wednesday’ that speaks on the effects of extremism on men in streets.
'Unnaipol Oruvan' is essentially a fantasy vigilante movie, a sort of pared-down Shankar effort, or, to put it otherwise, it seemed like Balu Mahendra-helming Shankar's repetitive leitmotifs.
The film's remarkable appeal, which made the fantasy element seem so much plausible and relevant, lay in the recurring reality. The impossible moral frenzy that the hero pulls himself into can belong not only to those areas that are both tattered and numbed by one mindless explosion after the other, but to the other parts of the India too. This is the message that Kamal wants to convey.
Kamal's eagerness to be seen politically correct is understandable. Unnaipol Oruvan deserves to be watched to see how Kamal & Mohanlal pit against Nasser & Kher.
If Nasser brought to fore the throbbing anger of the meek man so credibly, Kamal conjures up the intellectual lava of an individual who equally seethes against the wishy-washiness of a society that had gone easily numb.
Bharathiyar's 'Rowthiram Pazhaghu' may be the dynamite that works the dynamic in Kamal while 'Sathu Mirandal Kaadu Kollathu' may be the muse for Nasser. Mohanlal, on the other hand, comes across as both refined and restrained, a quality that was missing in Kher's portrayal. But both stands out for overall dignity and a decency that are now missing in our lives.
Director Chakri Toleti seems to have had an easy time, for the trump card was already in his hands in the form of ‘A Wednesday’. But the way in which he has visualized the script needs mention. Shruti’s musical score adds pep to the movie while Manoj Soni’s camera work is the eyes of the common man. Produced by Raaj Kamal and UTV, ‘Unnaipol Oruvan’ is a film that deals on harsh realities the country faces today and suggests a harsher remedy for it.
Unnai Pol Oruvan, a movie so well directed that it made me write a review, Kamal Haasan the ultimate amazement of Indian Cinema. Unnai Pol Oruvan is the remake of “A Wednesday” certainly one of the most amazing movies. Unnai Pol Oruvan is one of the most awaited movies for this year and establishes to be an accurate reflection of a commoner’s anger against Terrorist act.Unnai Pol Oruvan story orbits around a “Stupid Common Man”, an anger common man, whose anger against terrorism make him take such violent measurements to express his abhorrence against the civilian crime known to common man by the name of “JIHAAD”. Unnai Pol Oruvan defines this theory in a beautiful manner that act of terrorism must be answered with Terrorism; the story is based on an honest unrestrained expression of emotion from a “Stupid Common Man” against hatful murders in the name of “Jihaad”.Kamal Haasan played the principal character, which is against terrorism. Protagonist’s objective gets cleared after intermission and until that point the movie keeps all its viewers in a perfect mind-fold.Unnai Pol Oruvan stole the unimaginative and conformist screenplay and an excellent characterization, actually what I want to say is that the hero of the movie pulled all the viewers on the edge of their seats without even moving an inch from his own chair.
If you ask me Unnai Pol Oruvan is a must see movie, I am deeply touched by the subject and it has always been amazing to see Kamal Haasan perform on big screen.
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